During a ‘passage’ depositing family in Cambridge, doing the Anglia Afloat mini boat show in Suffolk and going on to Norwich to see an exhibition of East Anglian art at the Sainsbury Centre, the mate and I visited all our sister counties…

The display of works at the Sainsbury Centre, buried deep in the conglomeration of the University of East Anglia, was excellent, and thought provoking: our ancestors had an amazing gift for beautiful things – some finds were on view. Art is ‘bigger’ than paint on paper or some form of canvas.

What was clear from a very early stage was that the collection excluded anything to do with Essex: the Essex word was not mentioned once. Now, I accept the historic view that Essex was not part of the Anglian Kingdom – it had its own, but the borders were blurred with Essex and Suffolk swapping ground as time went by. I’m not a historian on these matters so rely on what I have read. This happened throughout history until the Normans stamped their mark upon Britain.

There was, however, a couple of things and another the mate pointed out, that left me cold: it is just snobbery to maintain that Essex is now outside the region.

Boudica’s (Queen of the Icceni) and the Trinovantes – an old Essex clan – sacked a few towns including London … bits at the exhibition are claimed to have been lost enroute back home (to what is now Norfolk, north Suffolk and east Cambridgeshire) … they came from Colchester – not mentioned as being in Essex – and clearly from the event curators view, not part of East Anglia … so what were they doing in the exhibition?

There was also a glorious set of paintings by the artist/writer James Dodds, b. 1957, titled, Cromer Crabber Salthouse Triptych – painted for an alter hanging for Salthouse Church and in the fashion of traditional medieval altarpieces. It was beautiful to look at, not just for the subject matter of an old traditional crabbing boat… No where was it mentioned that James Dodds was a Brightlingsea boy from Essex.

I am sure James will not ‘hit’ me for putting this here… It is grand.

Then there was one of the worst exhibitions of snobbery. Hanging towards the end of the trail was a painting by Edward Bawden, 1903 – 1989 who lived in Gt Bardfield, in south Essex, and Saffron Walden, and as we all know, is well within Essex too. I discussed the painting, titled, Ex Kruschen 1943 with a couple of other viewers: there were no details of why it was there. I assumed (rightly or wrongly) that it was an exercise for the expected battle scenario upon landing on the D-Day beaches in June 1944, the hinterland being similar, hence it is a piece of east anglian art … by another Essex Man.

There were a few Constables too … one tickled me for Constable was doing what he does in a lot of his paintings: gazing lovingly across the sleepy slow running Stour, over the flood plain towards the beautiful hills of Essex. Grand!

Although I left the exhibition with more than a little sourness, it is very much worth visiting and overall I enjoyed the experience, but…

The exhibition runs until 24th February 2014. Contact: www.scva.ac.uk